Neil Bowen on
There are several of the Royal Court's trademark "in your face" shock tactics and an exceptionally high swear word count even by the exacting standards of the address, this rich three-hour play is also tender, touching, and blessed with both a ribald humour and a haunting sense of the mystery of things. — The Daily Telegraph
Jerusalem is a bold, ebullient and often hilarious State-of-England or (almost) State-of-Olde-England play... [Johnny] is a shrewd, bold, defiant, charismatic, even mesmeric man born out of his time. Imagine King Arthur reincarnated as a troll and you have something of the quality he brings to the debased pastoral he grittily, comically and finally mournfully inhabits. — The Times
Rylance is magnificent in a hugely demanding role, and restores one's faith in the power of theatre to make a really beautiful noise and on a scale that is both epic and potentially popular. — The Independent[10]
Following a successful run at London's 380-seat Royal Court theatre, Jerusalem transferred to London's West End at the 796-seat Apollo Theatre for a limited 12-week season from 28 January 2010, closing on 24 April 2010. There it received its first negative review. Tim Walker in the Sunday Telegraph wrote of the character of Rooster: "With his chest out and his head back, lined up in a vertical line with his bottom, the actor does indeed resemble a rooster. The problem with the term 'local personality,' however, is that it is all too often a polite euphemism for a crushing bore, and three hours in Rooster's company does prove to be something of an endurance test."